ALL YOU ZOMBIES 1959 AND THE BY LAWS OF TIME- NEVER DO YESTERDAY WHAT SHULD BE DONE TOMORROW

Atheismus Incorporated
THE WORM OUROBOUROS THE SNAKE
 THAT EATS IT'S OWN TAIL  FOREVER AND EVER

UM MITO DA FUNDAÇÃO SOARES....

UM AGENTE TEMPORAL EM 1970 RECRUTA UM HERMAFRODITA QUE É ELE PRÓPRIO

UM POUCO MAIS PASSADO NO PRESENTE QUE S'AVIZINHA DO FUTURO QUE JÁ FOI

MULHER E TEVE UMA FILHA MAS PERDEU-A PORQUE A FILHA ERA ELA PRÓPRIA

ENFIM É OPERADO E TORNA-SE NUM ELE E É ELE MESMO QUE SE SEDUZ

 E ENGRAVIDA D'ELE PRÓPRIO COMO SOARES DIXIT ELE PRÓPRIO

O SEU EU DO PASSADO E O SEU EU DO FUTURO PARA MEMÓRIA PRESENTE

MUITO BEM ASSENTE ALÉM DE SE RECRUTAR PARA O P.S. (PASSADO SUSPENSO)

NA GAVETA RAPTA-SE A SI PRÓPRIO E ENGAVETA-SE ELE MESMO

E PÕE-SE NO ORFANATO MENTAL ELE PRÓPRIO

NEVER DO YESTERDAY WHAT SHOULD BE DONE.....NEVER

UM B-LOKI PRA GENTE DE FÉ OU DE FEZES OU MESMO DE FEZADAS E PRA FÉS SEM GENTE NENHUMA OU MESMO PRA CÁ FÉS SEM CÁ FÉ E NA...FÉ QUE MOVE MUNDOS E DÁ MUNDOS EXTRA AO MUNDO UNO OU AO DEUS ...É UMA QUESTÃO DE FÉ OU FALTA DELA

 

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jeudi 6 février 2014

MITOS ALTERNATIVOS DA CRIAÇÃO OU ALTERNE NATIVOS DAS MÁS CREAÇÕES UMA MITOMANIA DESSAS POR KRIPPAHL DE TODAS AS CUNHAS....

THE UNPLEASANT PROFESSION OF JONATHAN HOAG

UM ARTISTA CRIOU O MUNDO

INICIALMENTE UNS SERES POVOAM O UNIVERSO

MAS O MESTRE DO ARTISTA DESAPROVA A CRIAÇÃO OU A MÁ CREAÇÃO

E O ARTISTA MASCARA O ORIGINAL COM NOVOS HABITANTES

MAS O PÚBLICO APERCEBEU-SE AND MISTER HOAG IS AN ART CRITIC

QUE  VAI DECIDIR SE A OBRA PERMANECE OU VAI SER DESTRUÍDA

October 1942

A man comes to an investigator with an odd request: he wants to have himself followed, because he has no idea what his own profession is.

The story evolves into a discussion of the reality of both life and art.

Jonathan Hoag, a lover of art and fine dining living in Chicago, realizes that he has no memory of his daytime activities when asked, at an evening dinner, what he does for a living.

Furthermore, when he washes his hands in the evening, he discovers a red-brown substance, possibly dried blood, under his fingernails.

He contacts a detective agency, Randall & Craig, and asks them to follow him during the day.

The partners, actually the husband and wife team of Ted and Cynthia Randall, agree to this.

 The mystery begins immediately: they routinely try to collect fingerprints from their client, but find that Hoag left none, even when not wearing gloves.

 Such memories as Jonathan Hoag has turn out to be false, except for his home address, and a doctor, Potiphar T. Potbury, whom Hoag consulted about the substance under his fingernails.

The doctor had thrown him out of his office and told him not to return.

The first time the pair tails Hoag, Cynthia sees him turn and talk to her husband.

Then Cynthia is menaced by Hoag after she tails him in an office building.

GIVE HIM A SLAP TO SHUT HIS TRAP: THE LAST ONE HOME'S A DIRTY JAP

AT HIS WORK? OBVIOUSLY -BUT WHAT DID HE DO IN THE DAYTIME?

HE DID NOT KNOW...HE RETURNS HOME 6:00 PM

HE MIGHT NOT RECALL HIS PROFESSION, HIS PROFESSION HAD CERTAINLY NOT FORGOTTEN HIM

 

When she is reunited with Ted, he tells her that he had a completely different experience: after uneventfully tailing Hoag into the building and up to Hoag's office on the thirteenth floor of the Acme building,

Ted discovers that Hoag is a jeweler working for a company called Detheridge & Co., and that the red substance is jeweler's rouge

 Both realize that something is terribly wrong, especially once they discover that the building has no thirteenth floor