SENDO A RADIAÇÃO UMA CHUVA DE FOTÕES
O DESVIO PARA O VERMELHO
NÃO PODIA SER O RESULTADO DE COLISÕES NOS PERCURSOS CÓSMICOS
NEM EXPLICARIAM A PERDA DE ENERGIA DOS MESMOS
DAÍ TER SURGIDO A HIPÓTESE DE UMA RECESSÃO SEMPRE PROPORCIONAL
AO AFASTAMENTO
A 13 MIL MEGA ANOS-LUX PENSAVA-SE NA ALTURA NÃO EXISTIREM
VESTÍGIOS DO UNIVERSO E PORTANTO HAVER ESPAÇO PARA ESTACIONAR
A 1 MILHÃO DE ANOS LUX A VELOCIDADE DE FUGA É DE 2.4 KM PER SECOND
UMA GALÁXIA A 500 MILHÕES DE ANOS LUZ FOGE A 12 MIL KM POR SEGUNDO
E SE ESTIVER A 5 MIL MILHÕES DE ANOS LUZ A MAGANA
ALCANÇA VELOCIDADES DA ORDEM DOS 120 MIL KM POR SEGUNDO
O LIMITE SERIA O DA LUZ
O UNIVERSO SOFRE UMA DILATAÇÃO PÓS PARTO......
LAMBDAS ...COMPRIMENTOS DE ONDA
DEVE O DESVIO TRADUZIR UMA RECESSÃO DAS FONTES
dimecres, 27 d’agost de 2014
EM 1418 UM GAMA DE NOMINE BARTOLOMEU PERESTRELO INTRODUZIU O SEU BRINQUEDO SEXUAL FAVORITO NA ILHA DE PORTO SANTO ...ESTE MARINHEIRO GOSTAVA DE IR AO CU AOS COELHOS E ALGUNS SOBREVIVERAM ÀS TAIS PRÁTICAS NÁUTICAS E COMERAM TODAS AS RELVAS DA ILHA TENDO OS COLONOS DE A ABANDONAR POR ESTAREM FARTOS DE COMER COELHO ....E OBVIAMENTE A FALTA DE GAJAS QUE GOSTASSEM DE COMER COELHO SEIS DIAS POR SEMANA COMIA-SE PEIXE COM AREIA NO DIA DE JEJUM DOMINICUS ....OU ERA NA SEXTA-FEIRA? NA AUSTRÁLIA EM 1787 INTRODUZIRAM COELHOS (Oryctolagus cuniculus) MAS SÓ OS 24 COELHOS DE 1859 É QUE COLONIZARAM A AUSTRÁLIA CUM SUSSEX COBRIRAM 2 TERÇOS DA ILHA OU DO CONTINENTE NO CASO TANTO FAX ADAPTANDO-SE ÀS DIFERENTES REGIÕES CLIMÁTICAS NO SÉCULO XX ATINGIU POPULAÇÕES ESTIMADAS EM 5 BILIÕES DE 1938 A 1940 EXPORTAVAM-SE 13 MILHÕES DE PELES POR ANO REPRODUZ-SE TODO O ANO COM NINHADAS DE 14 A 18 FILHOTES MAS APÓS A WWII RESOLVERAM PÔR MIXOMATOSE NO BICHO E....FOI VIRAL Red Shift (1973) is a fantasy novel by Alan Garner. It spans over a thousand years but one geographical area: Southern Cheshire, England. Garner evokes the essence of place, allowing his characters to echo each other through time, as if their destinies may be predefined by the soil on which they walk. These are themes explored more tangibly in his earlier work The Owl Service, but brought here to maturity in a weave of rapid, impressionistic dialogue.The title of the novel arises from the mind of the teenage character Tom. He talks of astronomy, cosmology and other subjects he is learning. He declares that he is too "blue", i.e. sad, and needs a "red shift". Since the cosmological red shift results from galaxies moving away from each other, this may be a metaphor for his need to get away from his current life. There are multiple occurrences of the colour red in the story. After killing many in Barthomley, Macey's skin is painted red by the tribal girl, using dye from alder bark. This marks him as a "redman", one who has killed, possibly one who has done so under the influence of a god. It is also an ancient symbol of rebirth. In Civil War Barthomley, the stone axe-head is wrapped in a petticoat which has been dyed with alder. A petticoat can also be called a "shift". In modern-day Barthomley Tom notices some red colour on the Rector's undergarment – again a "shift". Plot summary[edit] In Roman times, Macey is an ex-soldier with a group of deserters. He has berserker fits (probably epileptic) in which he fights like ten men, using an old stone axe. Escaping from a local tribe, the "Cats" at Rudheath, the soldiers find a stockaded Cat village at Barthomley, which they pillage, killing all the inhabitants except for a young girl, whom they take as a slave. They try to "go tribal", pretending to be members of another tribe, the "Mothers", and settle on Mow Cop. This is a sacred site to the Cats, and the girl is their corn goddess. The Cats mine millstones on Mow Cop, and bring food as offerings. The soldiers think they have engineered a truce, but the girl poisons their food and they have hallucinations, killing themselves. Only Macey is spared, as he never touched the girl, who was raped and impregnated by the others. He and the girl leave together, but first he returns to Barthomley where he buries his talisman, the stone axe head, in the burial mound, asking forgiveness for killing so many villagers. The axe head is later found by Thomas Rowley.lives in Barthomley with his wife Margery. They find a stone axe-head buried in an old mound, and call it a "thunderstone", believing it to have been created by lightning striking the ground. They intend to build it into a chimney to guard against future strikes. The village is besieged by Irish Royalist troops searching for John Fowler, the village head man who has sided with Parliament. The troops eventually kill Fowler and all the other men of the village. Thomas and Margery are rescued by Thomas Venables, a former villager with the Royalists who once desired Margery. He leads them to a shanty town settlement at Rudheath and tells them to go to his family on Mow Cop once Thomas is recovered from his wounds. They take the thunderstone with them and embed it in the chimney of their new home, where it is found by Tom and Jan. In the modern day Tom is a teenager living cooped up in a caravan
Subscriure's a:
Comentaris del missatge (Atom)
ResponEliminaThe years… when I pursued the inner images, were the most important time of my life. Everything else is to be derived from this. It began at that time, and the later details hardly matter anymore. My entire life consisted in elaborating what had burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me. That was the stuff and material for more than only one life. Everything later was merely the outer classification, scientific elaboration, and the integration into life. But the numinous beginning, which contained everything, was then.
Content[edit]
The work is inscribed by Jung with the title Liber Novus (The New Book). The folio size manuscript, 11.57 inches (29.4 cm) by 15.35 inches (39.0 cm), was bound in red leather, and was commonly referred to as the "Red Book" by Jung. Inside are 205 pages of text and illustrations, all from his hand: 53 are full images, 71 contain both text and artwork and 81 are pure calligraphic text. He began work on it in 1913, first in small black journals, during a difficult period of "creative illness", or confrontation with the unconscious, and it is said to contain some of his most personal material. During the sixteen years he worked on the book, Jung developed his theories of archetypes, collective unconscious, and individuation.
The Red Book was a product of a technique developed by Jung which he termed active imagination. As Jung described it, he was visited by two figures, an old man and a young woman, who identified themselves as Elijah and Salome. They were accompanied by a large black snake. In time, the Elijah figure developed into a guiding spirit that Jung called Philemon (ΦΙΛΗΜΩΝ, as originally written with Greek letters). Salome was identified by Jung as an anima figure. The figures, according to Jung, "brought home to me the crucial insight that there are things in the psyche which I do not produce, but which produce themselves and have their own life."
The Philemon figure represented superior insight and communicated through mythic imagery. The images did not appear to come from Jung's own experience and Jung interpreted them as products of the collective unconscious.
Publication and display[edit]
Until 2001, Jung's heirs refused to permit publication of the book and did not allow scholars access to it. Until September 2009, only about two dozen people had seen it. Historian Sonu Shamdasani, an employee of the Jung heirs and their advisor in the handling of Jung material.....pois já se sabe