O BIBLIOTECÁRIO DO BORDEL: LE CRU ET LE CUIT - Scientific knowledge advances haltingly and is stimulated by contention and doubt.” The scientific mind does not so much provide the right answers as ask the right questions.” ― Claude Lévi-Strauss, The Raw and the Cooked: Mythologiques, Volume 1 The book starts out making an analogy between music and myth. A piece of music is only music when it has one or more motifs which repeat and vary in structured ways. So avant-garde atonal serial music is not music. Myth works exactly the same way; recurring motifs hold a story together. To L-S the motif itself is not meaningful, as only the patterning and arrangement of motifs in the composition of the music/myth gives the work significance. The notes of a song played on an instrument do not have meaning the same way that spoken words strung together in a sentence have meaning. But these instrumental or mythic performances do have meanings and comprise ideas. However, there is much to dislike about this book. I feel I did not learn much about Native South Americans. Also, L-S ignores obvious psychoanalytical or ideological interpretations of mythic symbolism. They just are not what he is after. And the endless barrage of myths and their mutations, flayed out in purely structural terms, can be overwhelming not to mention tedious and boring at times.

dissabte, 30 d’agost de 2014

LE CRU ET LE CUIT - Scientific knowledge advances haltingly and is stimulated by contention and doubt.” The scientific mind does not so much provide the right answers as ask the right questions.” ― Claude Lévi-Strauss, The Raw and the Cooked: Mythologiques, Volume 1 The book starts out making an analogy between music and myth. A piece of music is only music when it has one or more motifs which repeat and vary in structured ways. So avant-garde atonal serial music is not music. Myth works exactly the same way; recurring motifs hold a story together. To L-S the motif itself is not meaningful, as only the patterning and arrangement of motifs in the composition of the music/myth gives the work significance. The notes of a song played on an instrument do not have meaning the same way that spoken words strung together in a sentence have meaning. But these instrumental or mythic performances do have meanings and comprise ideas. However, there is much to dislike about this book. I feel I did not learn much about Native South Americans. Also, L-S ignores obvious psychoanalytical or ideological interpretations of mythic symbolism. They just are not what he is after. And the endless barrage of myths and their mutations, flayed out in purely structural terms, can be overwhelming not to mention tedious and boring at times.

NOVA CALEDÓNIA OS FRANCESES TRAZEM A CERÂMICA E COM ELA A CULINÁRIA

OS TUBÉRCULOS FORAM COZIDOS ATÉ ENTÃO SÓ SE QUEIMAVA A COMIDA

GRELHADOS OU ASSADOS....

ASSADO AFINIDADE COM O CRU POIS NÃO FICA HOMOGÉNEO

COM O COZIDO À PORTUGUESA TODA A MERDE FICA IGUAL

OS POCOMOCHI E OS OMAHA CONSIDERAM O ASSADO UM COMPROMISSO

ENTRE O ESTURRICADO VULGO QUEIMADO ATÉ CARVÃO E O CRU....

ARISTÓTELES .....AS CARNES ASSADAS SÃO MAIS CRUAS E SECAS

QUE AS COZIDAS

OS MAORI CONSIDERAM O ESTUFAR E OS UTENSÍLIOS INTRODUZIDOS PELOS

EUROPEUS INFESTADOS

POIS SÓ AS MULHERES E OS ESCRAVOS OS PODIAM UTILIZAR OU ESTUFAR...

OS GUERREIROS NOBRES PODIAM ASSAR A SUA COMIDA

MAS EVITAVAM O CONTACTO COM O FORNO DE ESTUFAR

E OS QUEIJOS DA NORMANDIA ESTAVAM PODRES....

O BIBLIOTECÁRIO DO BORDEL

dissabte, 30 d’agost de 2014

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